The Lazy Artist’s Guide to Subject Matter

I do believe that a good amount of the reason I love plein air painting is that it helps me avoid having to choose a subject to paint. You arrive outside in the wild (or semi-wild as the case of Victoria BC), and all you have to do is isolate a part of the landscape, weather, atmosphere and lighting which is of most interest to you. Then and there. Whereas in the studio, I tend to get bogged down in the theoretical WHY of painting, which can lead to conceptual angst and even worse… An existential “Why bother!?”. (Oh the conceptualists I have seen in this state! It is not pretty.)

So much art is in the process of being created or has been created that ifimage I stop to think about it… and consider what my fellow graduates would think…, what could I possibly add to art history!? (This is the scar of having attended art school – twice – too much contemplation). After all, I simply will not be a Tintoretto, let alone a Kandinsky!

Therefore, letting go and allowing myself to be en plein air, with all the tools at the ready, what else is there to do BUT paint!?

Just paint; The Buddhist’s solution to painting… Breathing in, I paint. Breathing out, I smile.

And smile.

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